summer04 | 388 | |||||||||||||||
ART 388 - Advanced Internet Art Tue & Thu 9:00 - 10:50 - FA 112 |
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Course Objectives This class will address the history and culture of the Internet and explore the World Wide Web as an artists' domain for publication and expressive creation. The class will examine narrative structures through experiments in linear and non linear navigation. Special emphasis will be placed upon defining the differences between client side and server side creations, and how these affect the content that can be provided by an artist. It will also emphasize on the evolution of multimedia into hypermedia, through the usage of client/server tools and programming languages. Readings Readings will be distributed throughout the semester. Critiques will frequently be initiated from various topics covered in the readings. In order to participate effectively you will need to have read the required texts and be able to articulate your responses to them within the context of class discussion and critique. Participation
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Students AZIZI, SAYEMA | azizi1 BASCH, AARON | abasch1 BERRY, FRANKLIN | fberry1 BUTT, TRAVIS | buttjoh1 CURTIS, SHAUN | shaunc1 DICKMAN, ANDREW | adickm1 FORSYTHE, JEFFREY | jeff5 HARTMAN, SAMUEL | shartm4 JORDAN, JEFFREY | jeff2 LOWE, ALVIN | alowe1 MUDD, NATHANIEL | mudd1 VINER, VALERY | vviner1 SHECK, THOMAS | thomass1 |
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Week | Date | Topic | Description | Assignments | |||||||||||
1 | Tue, Jan 27 | INTRO 1 | Introduction - Syllabus, goals of the class, required readings, general presentation of the students. | Based on a comparison between "Eodipus King" by Sophocles and the movie "Minority Report" by Spielberg, how can the term TRAGEDY be defined? - personal expression - 5 page paper / due Thu, Feb 05 | |||||||||||
Thu, Jan 29 | INTRO 2 | Evolution of electronic elements in their sociopolitical environment: Century of Lights, Industrial Revolution, XXth Century. Telegraph, Telephone, Wireless CB, Radio, and Television. VACUUM TUBES, ENIAC, From analog to digital. 1/0 . BIT/BYTE. Transistors. The first computers.. ASCII Art. |
Visual Poem Project: transform your favorite poem ( at least 20 lines ) into a visual html project, using images, tables / due Tue Feb 17 |
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2 | Tue, Feb 03 | INTRO 3 | History of the web from cold war paranoia to homeland security. Arpanet, Evolution of the web. Definition of CLIENT/ SERVER side. Applications and examples. |
Digital ASCII art: each student has to present 3 pieces of digital ASCII art / due Tue Feb 24 |
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Thu, Feb 05 | CLIENT 1 | Oedipus papers // TEXT as the base for all Internet creation. SSH, SFTP, FUGU, Fetch, FTP. | |||||||||||||
3 | Tue, Feb 10 | CLIENT 2 | More Basic HTML, definitions, syntax, examples, text coding, browser particularities. Fonts, sizes, colors. | ||||||||||||
Thu, Feb 12 | CLIENT / SERVER 3 | Advanced HTML: display of information, tables. | |||||||||||||
4 | Tue, Feb 17 | CLIENT 1 | Visual Poem Project presentation // More Tables, images, transparent gifs. | ||||||||||||
Thu, Feb 19 | No class | ||||||||||||||
5 | Tue, Feb 24 | CLIENT 2 | Digital ASCII Art presentation // Advanced HTML: frames. Advantages and disadvantages. | Using plain HTML and any editor of your choice, create your own family tree, including your close friends, using frames, images, sounds, animations. You will show all the relations between the different members of your extended family / due Tue March 02 => Tue March 09 | |||||||||||
Thu, Feb 26 | CLIENT 3 | Embedding Applets, SWF, DCR, QT movs. Sounds and animation. | |||||||||||||
6 | Tue, Mar 02 | CLIENT 4 | Extended Family Tree Projects presentation, group critique // XHTML = CONTROL!!! Cascading Style Sheets, DTDs, examples, definition, design, pre-production | Using strict XHTML+CSS, transform your original digital ascii creations into interactive css creations, or if you prefer, you can create at least 3 new ascii projects / due Thu Mar 11 => Tue March 16 | |||||||||||
Thu, Mar 04 | CLIENT 5 | Applied XHTML + CSS 1: text styles |
Starting in 1938, after Orson Welles produced the radio version of the "War of the Worlds", and reinforced by WWII and the nuclear paranoia of the cold war, Science Fiction became the main territory to express the collective fears of entire generations towards anything foreign, unknown and threatening. Based on your perception of the exhibit "PARADISE NOW," what are the collective contemporary fears the participating artists are expressing? Minimum 3 page paper - due tue March 30th - NO EXCUSES |
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7 | Tue, Mar 09 | CLIENT 6 | Applied XHTML + CSS 2: positioning | ||||||||||||
Thu, Mar 11 | CLIENT 7 | CSS ASCII Project - Group critique // Client side programming for the web. Javascript: DHTML | |||||||||||||
8 | Tue, Mar 16 | CLIENT 8 | Javascript. notions of variables, functions, usage, examples: form verifications, random images, time and date. DHTML | ||||||||||||
Thu, Mar 18 | JS 1 | More Javascript, interactive display. More applications DHTML |
Based on Llinás's reading, create a minisite exploring the links between the web and our own memory creation process using DHTML, XHTML and Javascript / due Thu Apr 01 |
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9 | Tue, Mar 23 | Spring Break | |||||||||||||
Thu, Mar 25 | |||||||||||||||
10 | Tue, Mar 30 | JS 2 | Q&A WWW Memory Projects - Javascript | ||||||||||||
Thu, Apr 01 | JS 3 | WWW Memory Projects - group critique | |||||||||||||
11 | Tue, Apr 06 | PHP 1 | Form verification via JS, handling of information via PHP -Server side programming, permissions | Confessions project: create a website for people to express their opinions about a specific controversial topic using XHTML, JS, DHTML, PHP / due Tue Apr 27 | |||||||||||
Thu, Apr 08 | PHP 2 | PHP Syntax and examples, $_GET and $_POST | |||||||||||||
12 | Tue, Apr 13 | PHP 3 | PHP exercises 1, hidden buttons in forms, dynamic display | ||||||||||||
Thu, Apr 15 | PHP 4 | PHP and Databases, Understanding DBs, example of tab delimited text db. | Public presentation of Final project ideas with timeline and workflow, open topic. The Final project must be a server side website, including XHTML, DHTML, Javascript, PHP/MySQL / due Thu Apr 29 | ||||||||||||
13 | Tue, Apr 20 | MySQL 1 | MySQL - Storing information 1 | ||||||||||||
Thu, Apr 22 | MySQL 2 | MySQL - Storing information 2 | |||||||||||||
14 | Tue, Apr 27 | MySQL 3 | Presentation of Confessions projects - Group critique | ||||||||||||
Thu, Apr 29 | FP 1 | Final project ideas presentation | |||||||||||||
15 | Tue, May 04 | FP 2 | Final project workshop | ||||||||||||
Thu, May 06 | FP 3 | Final project workshop | |||||||||||||
16 | Tue, May 11 | ADV | 1:1 advisory | ||||||||||||
Thu, May 13 | ADV | 1:1 advisory | |||||||||||||
17 | Tue, May 18 | FINALS | Final projects - dates to be announced | ||||||||||||
Thu, May 20 | |||||||||||||||
Bibliography Technical books / manuals www.w3schools.com A. Michael Noll, Introduction to Telecommunications Electronics Larry Ullman, PHP for the World Wide Web Elizabeth Castro, HTML for the World Wide Web, 5th Edition Elizabeth Castro, PERL and CGI for the World Wide Web Elizabeth Castro, XML for the World Wide Web Tom Negrino & Dori Smith, Javascript for the World Wide Web Jason Cranford Teague, DHTML and CSS for the World Wide Web Reference books Gilles Lipovetsky, Era of Void Gilles Lipovetsky, L'empire de l'éphémère Rodolfo R. Llinás, I of the Vortex Javier Sampedro, Deconstructing Darwin Martin Heidegger, Zeit und Sein - Being and Time Celia Pearce, The Interactive Book Omar Calabrese, The Neo-Barroque Era Gilles Deleuze & Felix Guattari, Rizoma Gianni Romano, Artscape Keith Cameron, Multimedia Call: Theory and Practice Laurence Strene, Tristam Shandy John Wiley & Sons; (July 1994), Analogous Digital Stanley Aranowitz, Barbara Martisons & Michael Menser, Technoscience and Cyberculture: A Cultural Study Jean Baudrillard, Simulacra and Simulation Martin Davis, The Universal Computer: The Road from Leibniz to Turing Régis Debray, Vie et mort de l'image : une histoire du regard en Occident. David Deutsch, The Science of Parallel Universes-And Its Implications Mark Dery, Escape Velocity: Cyberculture at the End of the Century Silvio Gaggi. From text to hypertext. Decentering the subject in Fiction, Film, the visual arts and Electronic Media. Oliver Grau. Virtual Art: From Illusion to Immersion. George P. Landow, Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology (Parallax - Re-Visions of Culture and Society) Pierre Levy. La machine univers: Création, cognition et culture informatique Peter Lunenfeld (Ed.). The digital dialectic. New essays on new media Lev Manovich. The Language of New Media Philipe Quéau, Le virtuel : vertus et vertiges. Champ Vallon ; Institut national de l'audiovisuel. Sherry Turkle, Life on the screen Paul Virilio, The Vision Machine |
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summer04 | 388 |