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ART 388 - Advanced Internet Art Tue & Thu 1:00pm - 3:20pm - FA 112 |
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Course Objectives This class will address the history and culture of the Internet and explore the World Wide Web as an artists' domain for publication and expressive creation. The class will examine narrative structures through experiments in linear and non linear navigation. Special emphasis will be placed upon defining the differences between client side and server side creations, and how these affect the content that can be provided by an artist. It will also emphasize on the evolution of multimedia into hypermedia, through the usage of client/server tools and programming languages. Readings Readings will be distributed throughout the semester. Critiques will frequently be initiated from various topics covered in the readings. In order to participate effectively you will need to have read the required texts and be able to articulate your responses to them within the context of class discussion and critique. Participation
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Students
CHEUNG, FREDERICK | fredc1 DIXON, SARAH | saradix1 GALLUCCI, NICHOLAS | ngall1 GIBERSON, CHRISTINE | cgibers1 GWINN, AMIE | a11 HAN, CHRISTINA | chan2 LEVY, CHANEL | chanel1 MYERS, Charles | charles NAZELROD, CHRIS | cnaze1 PAIK, KARAM | karam1 RICHARDS, CHRISTIE | cr2 SHAW, Renee | ... TIGNO, SIEGFRIED | tigno1 |
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Class | Date | Topic | Description | Assignments | |||||||||||
1 | INTRO 1 | Tue, Jun 01 | Introduction - Syllabus, goals of the class, required readings, general presentation of the students. Evolution of electronic elements in their sociopolitical environment: Century of Lights, Industrial Revolution, XXth Century. Telegraph, Telephone, Wireless CB, Radio, and Television. VACUUM TUBES, ENIAC, From analog to digital. 1/0 . BIT/BYTE. Transistors. The first computers.. ASCII Art. |
Digital ASCII art: each student has to present 3 pieces of digital ASCII art / due Tue Jun 08 Visual Poem Project: transform your favorite poem ( at least 20 lines ) into a visual html project, using images, tables, fonts, colors / due Thu Jun 10 Using plain HTML and any editor of your choice, create your own family tree, including your close friends, using frames, images, sounds, animations. You will show all the relations between the different members of your extended family / Using strict XHTML+CSS, transform your original digital ascii creations into interactive css creations, or if you prefer, you can create at least 3 new ascii projects Based on Llinás's reading, create a minisite exploring the links between the web and our own memory creation process using DHTML, XHTML and Javascript Confessions project: create a website for people to express their opinions about a specific controversial topic using XHTML, JS, DHTML, PHP Public presentation of Final project ideas with timeline and workflow, open topic. The Final project must be a server side website, including XHTML, DHTML, Javascript, PHP/MySQL |
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2 | Thu, Jun 03 | INTRO 2 | History of the web from cold war paranoia to homeland security. Arpanet, Evolution of the web. Definition of CLIENT/ SERVER side. Applications and examples. TEXT as the base for all Internet creation. SSH, SFTP, FUGU, Fetch, FTP. Basic HTML, structure, theory, open source. More Basic HTML, definitions, syntax, examples, text coding, browser particularities. Fonts, sizes, colors. Images. | ||||||||||||
3 | Tue, Jun 08 | CLIENT 2 | ASCII Art Project /// Advanced HTML: display of information, tables. | ||||||||||||
4 | Thu, Jun 10 | CLIENT 1 | More Tables, images, transparent gifs. | ||||||||||||
5 | Tue, Jun 15 | CLIENT 2 | Advanced HTML: frames. Advantages and disadvantages. Embedding Applets, SWF, DCR, QT movs. Sounds and animation. | ||||||||||||
6 | Thu, Jun 17 | CLIENT 4 | XHTML = CONTROL!!! Cascading Style Sheets, DTDs, examples, definition, design, pre-production. Applied XHTML + CSS 1: text styles | ||||||||||||
7 | Tue, Jun 22 | CLIENT 6 | Client side programming for the web. Javascript: DHTML | ||||||||||||
8 | Thu, Jun 24 | CLIENT 8 | Javascript. notions of variables, functions, usage, examples: form verifications, random images, time and date. DHTML | ||||||||||||
9 | Tue, Jun 29 | Q&A WWW Memory Projects - | |||||||||||||
10 | Thu, Jul 01 | JS 2 | Javascript. Form verification via JS, handling of information via PHP -Server side programming, permissions | ||||||||||||
11 | Tue, Jul 06 | PHP | PHP Syntax and examples, $_GET and $_POSTPHP exercises 1, hidden buttons in forms, dynamic display. PHP and Databases, Understanding DBs, example of tab delimited text db. | ||||||||||||
12 | Thu, Jul 08 | NO CLASS | NO CLASS | ||||||||||||
13 | Tue, Jul 13 | PHP | PHPStructure, templates, organization. | ||||||||||||
14 | Thu, Jul 15 | PHP | Presentation of Confessions projects - Group critique. Final project ideas presentation. | ||||||||||||
15 | Tue, Jul 20 | FP 2 | Final project workshop | ||||||||||||
16 | Thu, Jul 22 | ADV | FINAL PROJECT | ||||||||||||
Bibliography Technical books / manuals www.w3schools.com A. Michael Noll, Introduction to Telecommunications Electronics Larry Ullman, PHP for the World Wide Web Elizabeth Castro, HTML for the World Wide Web, 5th Edition Elizabeth Castro, PERL and CGI for the World Wide Web Elizabeth Castro, XML for the World Wide Web Tom Negrino & Dori Smith, Javascript for the World Wide Web Jason Cranford Teague, DHTML and CSS for the World Wide Web Reference books Gilles Lipovetsky, Era of Void Gilles Lipovetsky, L'empire de l'éphémère Rodolfo R. Llinás, I of the Vortex Javier Sampedro, Deconstructing Darwin Martin Heidegger, Zeit und Sein - Being and Time Celia Pearce, The Interactive Book Omar Calabrese, The Neo-Barroque Era Gilles Deleuze & Felix Guattari, Rizoma Gianni Romano, Artscape Keith Cameron, Multimedia Call: Theory and Practice Laurence Strene, Tristam Shandy John Wiley & Sons; (July 1994), Analogous Digital Stanley Aranowitz, Barbara Martisons & Michael Menser, Technoscience and Cyberculture: A Cultural Study Jean Baudrillard, Simulacra and Simulation Martin Davis, The Universal Computer: The Road from Leibniz to Turing Régis Debray, Vie et mort de l'image : une histoire du regard en Occident. David Deutsch, The Science of Parallel Universes-And Its Implications Mark Dery, Escape Velocity: Cyberculture at the End of the Century Silvio Gaggi. From text to hypertext. Decentering the subject in Fiction, Film, the visual arts and Electronic Media. Oliver Grau. Virtual Art: From Illusion to Immersion. George P. Landow, Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology (Parallax - Re-Visions of Culture and Society) Pierre Levy. La machine univers: Création, cognition et culture informatique Peter Lunenfeld (Ed.). The digital dialectic. New essays on new media Lev Manovich. The Language of New Media Philipe Quéau, Le virtuel : vertus et vertiges. Champ Vallon ; Institut national de l'audiovisuel. Sherry Turkle, Life on the screen Paul Virilio, The Vision Machine |
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summer04 |