summer04 | 388 | |||||||||||||||
ART 382 - Interactivity Tue & Thu 11:00 - 12:50 - FA 112 |
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Course Description This class will address the history and culture of Interactive creations through the study of various analog and digital forms of artistic expression. From Analog to digital, from linear to non-linear, from local to the web. We will study Flash and Director in order to understand the logic of interactivity on a computer. By the end of the semester we will work on Lingo, and we will understand the logics of programming. Readings Readings will be distributed throughout the semester. Critiques will frequently be initiated from various topics covered in the readings. In order to participate effectively you will need to have read the required texts and be able to articulate your responses to them within the context of class discussion and critique. Participation
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Students ARAVANIS, GEOFFREY T. | ag2 BENNETT, PERRY K. | pbenne1 CHEUNG, FREDERICK F. | fredc1 CHU, CINDY I. | cindyc1 CURTIS, SHAUN M. | shaunc1 JORDAN, JEFFREY A. | jeff2 LAM, JOHN K. | johnlam1 LIEM, JEFFREY R. | jl1 LIT, WAI Y. | wlit2 LOWE, ALVIN B. | alowe1 PALENCIA, ANNE C. | apa1 PRIKHODKO, ALEX | aprikh1 TAKEMOTO, NICK | tanicho1 TAYLOR, MELISSA L. | melt1 TURTON, ANN C. | annt1 |
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Week | Date | Topic | Description | Assignments & Reviews | |||||||||||
1 | Tue, Jan 27 | INTRO 1 | Introduction - Syllabus, goals of the class, required readings, general presentation of the students. | Pinocchio - Carlo Collodi Vs. Artificial Intelligence - Spielberg: what is a fairy tale? 5 page paper / due Thu, Feb 05 | |||||||||||
Thu, Jan 29 | INTRO 2 | Presentation of student's work // Definition of MULTIMEDIALITY, Theatrum Mundi, Deus Ex Machinae, Encyclopedia, Opera, Vaudeville. Evolution of structures. Cinema as time capturing element, evolution of the moving image: from chemical to electronic, from B/W to neuroimaging. | |||||||||||||
2 | Tue, Feb 03 | INTRO 3 | From analog to digital. Television as the first decomposition of reality into measurable electric pulses, evolving into the base of digital control. The Scanner, decomposition in lines and pixels. The first PC, early artistic approaches to digital art. ASCII art. Realistic imaging Vs. vectorial creation. | Analog ASCII art: each student has to present 3 pieces of analog ASCII art / due Tue Feb 17th | |||||||||||
Thu, Feb 05 | FLASH 1 | Pinocchio papers // Vectorial animation via Flash MX, general concepts such as timeframe, layers, frame, keyframe, labels, tweening, symbols, instances, movie clips. Exporting and HTML embedding. | |||||||||||||
3 | Tue, Feb 10 | FLASH 2 | Vectorial animation continued, presentation of Flash examples. | ||||||||||||
Thu, Feb 12 | FLASH 3 | Digital Sound, definition, properties, intro to compression. Flash and Sound, mp3 | Flash linear animation, Music VideoClip using your own images and vector shapes and your favorite music / due Tue Feb 24 | ||||||||||||
4 | Tue, Feb 17 | FLASH 4 | Analog ASCII Art presentation // Real world images and Flash - compression for still pictures, the scanner. Importing and manipulating the images. | ||||||||||||
Thu, Feb 19 | No class | ||||||||||||||
5 | Tue, Feb 24 | FLASH 5 | Presentation of personal music videos // Interactivity in Flash, buttons, scenes, Navigation | ||||||||||||
Thu, Feb 26 | FLASH 6 | Non Linearity, Tarot example. Storytelling. Information architecture, navigation tree, workflow chart. Floating menus: TARGETS in Flash. Understanding targeting. | Interactive Fairy Tale project Choose a classic fairy tale and give it your own non-linear twist / due Thu March 11th => Tue Mar 16th | ||||||||||||
6 | Tue, Mar 02 | FLASH 7 | Actionscripting. The incredible and useful movie clips, more than just animations. |
Starting in 1938, after Orson Welles produced the radio version of the "War of the Worlds", and reinforced by WWII and the nuclear paranoia of the cold war, Science Fiction became the main territory to express the collective fears of entire generations towards anything foreign, unknown and threatening. Based on your perception of the exhibit "PARADISE NOW," what are the collective contemporary fears the participating artists are expressing? Minimum 3 page paper - due tue March 30th - NO EXCUSES |
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Thu, Mar 04 | FLASH 8 | More on Movie Clips and Actionscripting - examples | |||||||||||||
7 | Tue, Mar 09 | FLASH 9 | Individual Q&A Fairy Tale Projects, problem solving. | ||||||||||||
Thu, Mar 11 | FLASH 10 | Interactive Fairy Tale Projects presentation, group critique | |||||||||||||
8 | Tue, Mar 16 | FLASH 11 | Digital Video, definition, characteristics, compressions, weight, examples. From NTSC to QT, from 4/3 to 16/9, from low Res to | Use your spring break to capture digital video to be used in the Interactive Video self presentation according to Michel Foucault's "What is an author" / due Thu Apr 01 | |||||||||||
Thu, Mar 18 | FLASH 12 | Flash + Digital Video = Interactive Video! Importing, compressing, understanding and decomposing into scenes, basic control. Floating menus and controllers fo video. | |||||||||||||
9 | Tue, Mar 23 | Spring Break | |||||||||||||
Thu, Mar 25 | |||||||||||||||
10 | Tue, Mar 30 | FLASH 13 | Q&A for the Foucault project video | ||||||||||||
Thu, Apr 01 | FLASH 14 | Foucault Project - Interactive Video - Group critique | |||||||||||||
11 | Tue, Apr 06 | DIR 1 | Introduction to Director. Generalities, similarities and differences with Flash. Sprites Vs. Symbols. ZKM Examples and Puppet Motel by Laurie Anderson | First interactive animation using Director MX and lingo - Involving imported images, sounds and vector animations. Topic: turn your favorite poem into an interactive movie / due Tue, Apr 20 | |||||||||||
Thu, Apr 08 | DIR 2 | Hands on Director, the tools. Metaphores = the stage. Interactivity through LINGO. Markers Vs. Scenes in Flash. Presenting information. Importing sounds, controlling sounds. | |||||||||||||
12 | Tue, Apr 13 | DIR 3 | Basics of Lingo, logic, structure, syntax, Director Help Files | ||||||||||||
Thu, Apr 15 | DIR 4 | Q&A Interactive Poem | |||||||||||||
13 | Tue, Apr 20 | DIR 5 | Interactive Poem presentation - group critique // Theatrum Mundi, Vatel, Baroque concepts. | Theatrum Mundi Projects - Based on the notion of Theatrum Mundi and the examples of Baroque creation, create an advanced interactive moivie involving sound, video, text, images and vectors, portraying your own personal Theatrum Mundi / due Tue May 04 | |||||||||||
Thu, Apr 22 | DIR 6 | Possibilities of Digital Video, control of digital video. Interactive Video in Director MX, Lingo: Variables, repeat loops, conditions. |
Public presentation of Final project ideas with timeline and workflow, open topic. The Final project must be in director, it can embed a Flash interactive movie as one of its elements, but it must be in Director, involving interactive video/sound, animation, text, flawless navigation structure. The re-usage of your own material is encouraged / due Thu May 06 |
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14 | Tue, Apr 27 | DIR 7 | Lingo: Variables, repeat loops, conditions. | ||||||||||||
Thu, Apr 29 | DIR 8 | Q&A Theatrum Mundi Projects | |||||||||||||
15 | Tue, May 04 | DIR 9 | Presentation of Theatrum Mundi projects - Group critique // | ||||||||||||
Thu, May 06 | Final project ideas presentation | ||||||||||||||
16 | Tue, May 11 | FINALS | Final project workshop | ||||||||||||
Thu, May 13 | FINALS | Final project workshop | |||||||||||||
17 | Tue, May 18 | FINALS | Final projects | ||||||||||||
Thu, May 20 | FINALS | Final projects | |||||||||||||
Bibliography Technical books / manuals A. Michael Noll, Introduction to Telecommunications Electronics John J.T. Thompson, Lingo Workshop Gary Rosenzweig, Director 8.x Russel Chun, Macromedia Flash Advanced Reference books The Adventures pf Pinocchio, Collodi Gilles Lipovetsky, The Age of the Void Rodolfo R. Llinás, I of the Vortex Javier Sampedro, Deconstructing Darwin Celia Pearce, The Interactive Book Omar Calabrese, The Neo-Barroque Era Gilles Deleuze & Felix Guattari, Rizoma Gianni Romano, Artscape Keith Cameron, Multimedia Call: Theory and Practice Laurence Strene, Tristam Shandy John Wiley & Sons; (July 1994), Analogous Digital Stanley Aranowitz, Barbara Martisons & Michael Menser, Technoscience and Cyberculture: A Cultural Study Jean Baudrillard, Simulacra and Simulation Martin Davis, The Universal Computer: The Road from Leibniz to Turing Régis Debray, Vie et mort de l'image : une histoire du regard en Occident. David Deutsch, The Science of Parallel Universes-And Its Implications Mark Dery, Escape Velocity: Cyberculture at the End of the Century Silvio Gaggi. From text to hypertext. Decentering the subject in Fiction, Film, the visual arts and Electronic Media. Oliver Grau. Virtual Art: From Illusion to Immersion. George P. Landow, Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology (Parallax - Re-Visions of Culture and Society) Pierre Levy. La machine univers: Création, cognition et culture informatique Peter Lunenfeld (Ed.). The digital dialectic. New essays on new media Lev Manovich. The Language of New Media Philipe Quéau, Le virtuel : vertus et vertiges. Champ Vallon ; Institut national de l'audiovisuel. Sherry Turkle, Life on the screen Paul Virilio, The Vision Machine |
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summer04 | 388 |